“Engaging and frustrating, imaginative and jumbled, original and derivative” –Alexis Soloski, The New York Times

“The refreshing result (half-documentary, half-Genet) is chaotic, but it’s also productive and genuinely subversive; Hamilton gives us the kind of mess you learn from making.” –Helen Shaw, TimeOut New York

“[A] dramatic seed blossoms late in the production when the otherwise goofy Isabel Sanchez delivers a sedating monologue on the real-life implications of the Papin sisters’ brutal act,” –Tara Sheena, Hyperallergic.com

“[A]s intentionally messy as the stage floor after the performers have spit Fritos all over it.” –Tom Sellar, the Village Voice

“To flood a small space with emotion is not an easy feat. I hope, upon entering the space, to see reflections of the artist’s emulated interests. I hope to enter into a place that is somewhat secret, forbidden, and where words and reason are non-essential. That space can be a memory, it can be triggered by the exclusivity of language, it can be a hotel room in LA, or a theater at Abrons Arts Center. But when those spaces collide, and when you realize that the unifying factor is the story of unheard stories, you know you’ve found something worth experiencing. And then you clean it off.” –Georgina Escobar, Culturebot